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	<title>Verbatim Lecture Management &#187; Women’s Issues</title>
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	<description>Ideas · Issues · Innovation</description>
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<image><title>Verbatim Lecture Management</title><url>http://verbatimlectures.com/wordpress/wp-content/themes/blueprint/assets/verbatim_logo_facebook_small.jpg</url><link>http://verbatimlectures.com</link><width>100</width><height>130</height><description>Verbatim Lecture Management represents a broad spectrum of authors, journalists, filmmakers and activists.</description></image>		<item>
		<title>Liza Donnelly</title>
		<link>http://verbatimlectures.com/donnelly/</link>
		<comments>http://verbatimlectures.com/donnelly/#comments</comments>
		<pubDate>Thu, 07 Apr 2011 20:39:49 +0000</pubDate>
		<dc:creator>jason</dc:creator>
				<category><![CDATA[Speakers]]></category>
		<category><![CDATA[Human Rights]]></category>
		<category><![CDATA[Humor]]></category>
		<category><![CDATA[Journalism/Media]]></category>
		<category><![CDATA[Politics/Activism]]></category>
		<category><![CDATA[Women’s Issues]]></category>

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		<description><![CDATA[Author and staff cartoonist for <i>The New Yorker</i>, Liza Donnelly's personal journey to success in a field dominated by men fuels her passion to expose cultural stereotypes, working with international cartoonists as editor of World Ink, a site dedicated to political cartoons from around the world.]]></description>
			<content:encoded><![CDATA[<p>A staff cartoonist for <em>The New Yorker </em>and author of <em>When Do They Serve the Wine? The Folly, Fun and Flexibility of Being a Woman </em>(Chronicle), Liza Donnelly was one of only three female cartoonists at <em>The New Yorker</em> when she began drawing for the magazine approximately 30 years ago.  Her personal journey to success in a field dominated by men fuels her passion for the under-examined but crucial issue of freedom of creativity.</p>
<p>The personal is political for Liza, and she believes the struggle for human rights can be traced to the individual’s struggle for expression of self.  Liza’s work exposes cultural stereotypes in all forms, not just in women’s rights, and she works with international cartoonists, curating exhibits and is editor of World Ink, a site dedicated to political cartoons from around the world.</p>
<h3>Program Descriptions</h3>
<h4>Finding Voice</h4>
<p><em> </em></p>
<p>In her interactive, multimedia lecture, Liza draws on her three decades as a cartoonist for <em>The New Yorker</em>, Liza speaks about the (sometimes joyful) struggle of finding one’s voice as an artist, framing it in terms of the need for creative space, “a room of one’s own,” free from cultural pressures.  Using slides of her own work, Liza delivers a talk that is at once humorous and serious, discussing issues of sexism and the stereotypes women face as they search inside themselves for their own expression and for the freedom to be what they want to be and not what our culture expects.</p>
<p>Having taught Women’s Studies at Vassar College, Liza’s understanding of the issues is deep, and, combined with her personal story, her lecture provides a rich experience wherein the seriousness of the difficulties women face is delivered with humor. Liza is forever trying to dispel the notion that women do not have a sense of humor, and that through laughter, difficult issues can not only be addressed, but changed for the better.</p>
<h4>International Cartoons</h4>
<p>As a world traveler passionate about political cartoons, Liza is uniquely positioned to lends her skills as a cartoonist, editor and writer to help audiences understand the power cartoons wield in to making sense of world events.</p>
<p>In her lecture/slide program, Liza speaks to the way this art form can communicate across borders with amazing power. Cartoons can visually distill global events in an instant, and particularly when drawn by women, they often enlighten in ways not heard of before. A member of Cartooning for Peace, and editor and creator of World Ink, a website devoted to international cartoons, Liza works with cartoonists from around the world.  Given the role of women as tradition holders in each society, they have unique perspectives to bring to the table of political cartoons.</p>
<h4>New Yorker Cartoons</h4>
<p>Everyone loves <em>New Yorker </em>cartoons.  As a contributor to The New Yorker for thirty years, Liza has a personal understanding of the art of the magazine, as well as friendships with many of the artists and editors. Author of “Funny Ladies: The New Yorker’s Greatest Women Cartoonists and Their Cartoons” (Prometheus), which required years of research at The New Yorker and The New Yorker Archives, Liza has a deep understanding of the cartoons and cartoonists  of the magazine, both as pieces of art but also in context of their time.  An overview of the art form can reflect cultural trends, political events and social norms in a way that is unique. Liza speaks to the impact of cartoons on us as individuals, and of the manner in which they reflect on us as a society. With slides, she contrasts current cartoons with past ones, analyzing the changes in mores, styles and humor.</p>
<p><strong> </strong></p>
<h3>Bio:</h3>
<p>Author of numerous books, including <em>Funny Ladies: The New Yorker’s Greatest Women Cartoonists and Their Cartoons</em>, <em>Sex and Sensibility: Ten Women Examine the Lunacy of Modern Love&#8230;in 200 Cartoons</em>, among others, Liza&#8217;s written work has also appeared in <em>The Daily Beast</em>, CNN.com, <em>The New Yorker</em> and elsewhere.  Liza has spoken at TED, has been profiled on CBS Sunday morning, and has appeared on numerous radio shows<em> </em>. Liza recently curated a show of global political cartoons for TED, and online for CNN.com, and has taught “The Cultural History of Cartoons”, “Women and Humor” and Women’s Studies at Vassar College.</p>
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<p class="MsoNormal"><span style="font-family: &amp;amp;amp;">Liza Donnelly</span></p>
<p>A staff<a> cartoonist </a><span class="MsoCommentReference"><span style="font-size: 8pt;"><a id="_anchor_1" class="msocomanchor" name="_msoanchor_1" href="#_msocom_1">[jc1]</a><span> </span></span></span><span style="font-family: &amp;amp;amp;">for <em>The New Yorker </em>and author of <em>When Do They Serve the Wine? The Folly, Fun and Flexibility of Being a Woman </em>(Chronicle), Liza Donnelly was one of only three female cartoonists at The New Yorker when she began drawing for the <a>magazine</a></span><span class="MsoCommentReference"><span style="font-size: 8pt;"><a id="_anchor_2" class="msocomanchor" name="_msoanchor_2" href="#_msocom_2">[jc2]</a><span> </span></span></span><span style="font-family: &amp;amp;amp;">. approx Her personal journey to success in a field dominated by men fuels her passion for the under-examined but crucial issue of freedom of creativity.</span></p>
<p>The personal is political for Liza, and she believes the struggle for human rights can be traced to the individual’s struggle for expression of self.<span> </span>Liza’s work exposes cultural stereotypes in all forms, not just in women’s rights, and she works with international cartoonists, curating exhibits and is editor of World Ink, a site dedicated to political cartoons from around the world.</p>
<p class="MsoNormal"><em><span style="font-family: &amp;amp;amp;">Program Descriptions</span></em></p>
<p><em> </em></p>
<h1><span style="font-size: 12pt; font-family: &amp;amp;amp;">Finding <a>Voice</a></span><span class="MsoCommentReference"><span style="font-size: 8pt; font-weight: normal;"><a id="_anchor_3" class="msocomanchor" name="_msoanchor_3" href="#_msocom_3">[jc3]</a><span> </span></span></span><span style="font-size: 12pt; font-family: &amp;amp;amp;">:</span></h1>
<p class="MsoNormal"><span style="font-family: &amp;amp;amp;"> </span></p>
<p class="MsoNormal"><span style="font-family: &amp;amp;amp;">In her interactive, multimedia lecture, Liza draws on her three decades as a cartoonist for <em>The New Yorker</em>, Liza speaks about the (sometimes joyful) struggle of finding one’s voice as an artist, framing it in terms of the need for creative space, “a room of one’s own,” free from cultural pressures.<span> </span>Using slides of her own work, Liza delivers a talk that is at once humorous and serious, discussing issues of sexism and the stereotypes women face as they search inside themselves for their own expression and for the freedom to be what they want to be and not what our culture expects.</span></p>
<p>Having taught Women’s Studies at Vassar College, Liza’s understanding of the issues is deep, and, combined with her personal story, her lecture provides a rich experience wherein the seriousness of the difficulties women face is delivered with humor. Liza is forever trying to dispel the notion that women do not have a sense of humor, and that through laughter, difficult issues can not only be addressed, but changed for the better.</p>
<h1><span style="font-size: 12pt; font-family: &amp;amp;amp;"><br />
International <a>Cartoons</a></span><span class="MsoCommentReference"><span style="font-size: 8pt; font-weight: normal;"><a id="_anchor_4" class="msocomanchor" name="_msoanchor_4" href="#_msocom_4">[jc4]</a><span> </span></span></span><span style="font-size: 12pt; font-family: &amp;amp;amp;">:</span></h1>
<p class="MsoNormal"><span style="font-family: &amp;amp;amp;"> </span></p>
<p class="MsoNormal"><span style="font-family: &amp;amp;amp;">As a world traveler passionate about political cartoons, Liza is uniquely positioned to lends her skills as a cartoonist, editor and writer to help audiences understand the power cartoons wield in to making sense of world events.</span></p>
<p>In her lecture/slide program, Liza speaks to the way this art form can communicate across borders with amazing power. Cartoons can visually distill global events in an instant, and particularly when drawn by women, they often enlighten in ways not heard of before. A member of Cartooning for Peace, and editor and creator of World Ink, a website devoted to international cartoons, Liza works with cartoonists from around the world.<span> </span>Given the role of women as tradition holders in each society, they have unique perspectives to bring to the table of political cartoons.<span> </span></p>
<h1><span style="font-size: 12pt; font-family: &amp;amp;amp;">New Yorker Cartoons</span></h1>
<p class="MsoNormal"><strong><span style="font-family: &amp;amp;amp;"> </span></strong></p>
<p class="MsoBodyText"><span style="font-size: 12pt; font-family: &amp;amp;amp;">Everyone loves <em>New Yorker </em>cartoons.<span> </span>As a contributor to The New Yorker for thirty years, Liza has a personal understanding of the art of the magazine, as well as friendships with many of the artists and editors. Author of “Funny Ladies: The New Yorker’s Greatest Women Cartoonists and Their Cartoons” (Prometheus), which required years of research at The New Yorker and The New Yorker Archives, Liza has a deep understanding of the cartoons and cartoonists<span> </span>of the magazine, both as pieces of art but also in context of their time.<span> </span>An overview of the art form can reflect cultural trends, political events and social norms in a way that is unique. Liza speaks to the impact of cartoons on us as individuals, and of the manner in which they reflect on us as a society. With slides, she contrasts current cartoons with past ones, analyzing the changes in mores, styles and humor.</span></p>
<p>Bio:</p>
<p>Author of numerous books, including <em>Funny Ladies: The New Yorker’s Greatest Women Cartoonists and Their Cartoons</em>,[ ], her written has also appeared in<span> </span>Daliy Beast, CNN.com, Then New Yorker and elsewere. <span> </span>Profiled on CBS Sunday morning, And numerous radio interviews Liza has extensive knowledge of the art form and the history of <em>The New Yorker</em>. Liza recently curated a show of global political cartoons for TED, and online for CNN.com, and has taught “The Cultural History of Cartoons”, “Women and Humor” and Women’s Studies at Vassar College.</p>
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<p class="MsoCommentText"><span class="MsoCommentReference"><span style="font-size: 8pt;"><span> <a class="msocomoff" href="#_msoanchor_1">[jc1]</a></span></span></span>Nomenclature?</p>
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<p class="MsoCommentText"><span class="MsoCommentReference"><span style="font-size: 8pt;"><span> <a class="msocomoff" href="#_msoanchor_2">[jc2]</a></span></span></span>When?</p>
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<p class="MsoCommentText"><span class="MsoCommentReference"><span style="font-size: 8pt;"><span> <a class="msocomoff" href="#_msoanchor_3">[jc3]</a></span></span></span>Subtitle, perhaps with “Women&#8230;”</p>
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<p class="MsoCommentText"><span class="MsoCommentReference"><span style="font-size: 8pt;"><span> <a class="msocomoff" href="#_msoanchor_4">[jc4]</a></span></span></span>Subtitle?</p>
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		<title>Kayla Williams</title>
		<link>http://verbatimlectures.com/williams/</link>
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		<pubDate>Mon, 01 Jun 2009 14:09:36 +0000</pubDate>
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		<guid isPermaLink="false">http://verbatimlectures.com/?p=352</guid>
		<description><![CDATA[Author of the memoir <i>Love My Rifle More Than You: Young and Female in the U.S. Army</i>, Williams, a former sergeant and Arabic linguist in a military intelligence unit of the 101st Airborne in Iraq, addresses the shifting role of women in society, the changing demands on today's military, and the treatment/reintegration of veterans.]]></description>
			<content:encoded><![CDATA[<p>Author of the memoir <em>Love My Rifle More Than You</em><em>: Young and Female in the U.S. Army</em>, Kayla Williams is a former sergeant and Arabic linguist in a military intelligence unit of the U.S Army&#8217;s 101st Airborne Division (Air Assault). During her five years of service, Kayla spent a year in Iraq as a translator, at the forefront of the U.S.&#8217;s interactions with Iraqis, while simultaneously navigating the daily challenges related to being a woman in today&#8217;s Army &#8211; in which women account for only 15% of the Army&#8217;s total population.</p>
<h3 class="clearfix">Program Description</h3>
<p>In her lectures, Kayla not only discusses her experiences negotiating the changing demands on today&#8217;s military, but she addresses the changing role of women in society.  She<strong> </strong>expounds on the notion that as society changes, the military must necessarily change along with it &#8211; but, as we&#8217;ve seen with &#8220;Don&#8217;t Ask, Don&#8217;t Tell,&#8221; the military is often slow to accept and reflect the evolving views of society.  And, unfortunately, many of the issues that women face in the military are not exclusive to the military or to war.</p>
<p>In her role as an interpreter, Kayla was able to garner a deeper understanding of the Iraqi culture, and reinforce her view that it is crucial to the health of our society to embrace diversity and uphold the doctrines of basic human rights.  Kayla is able to help audiences better understand that their own challenges, navigating a society with ingrained gender roles and cultural preconceptions, are equally valid.</p>
<p>Kayla&#8217;s experiences in Iraq, and her struggle to reintegrate into civilian society upon her return home, enable her to relate to many different types of audiences.  She vividly describes the sometimes harrowing and heartrending challenges of being both a soldier/veteran and a wife, and how difficult it is sometimes to reconcile the two roles &#8211; this <a href="http://www.notalone.com/veteran-vs-wife-875.htm">audio interview at NotAlone.com</a> is a lucid encapsulation of Kayla&#8217;s experience.  Also, she is able to relay a first-hand perspective on the questionable treatment of Iraqi prisoners (she witnessed soldiers cross the line between interrogation and torture), the stress of combat, and the effects of physical injury and PTSD &#8212; her husband (also a veteran) suffered a serious brain injury sustained in combat.</p>
<p>One of Kayla&#8217;s overarching messages is that we MUST take care of our veterans.  We all have a role in the war effort, regardless of personal politics, and it is crucial that our returning soldiers get what they need in order to become contributing members of civilian society once again.  She recently addressed United States House Committee on Veterans&#8217; Affairs on this issue.  Her remarks, entitled <strong>&#8220;The Growing Needs of Women Veterans: Is the VA Ready?&#8221; </strong>can be found <a href="http://www.vetvoice.com/showDiary.do?diaryId=2790">here</a>.</p>
<h3 class="clearfix">Bio</h3>
<p>Kayla is a member of the Board of Directors of Grace After Fire, a senior adviser of VoteVets.org and she regularly blogs at <em>The Huffington Post</em> and VetVoice.com.  She has appeared on numerous media outlets including CNN, Fox, NPR and HBO&#8217;s &#8220;Real Time with Bill Maher,&#8221; and elsewhere, to discuss the challenges faced by women serving in the armed forces and the additional challenges they face re-adjusting to civilian life as veterans.  She recently earned a Masters degree in International Affairs with a focus on the Middle East from American University, and continues to work on issues related to U.S. policy and the treatment of veterans.</p>
<p><strong> </strong></p>
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		<title>Joan Garry</title>
		<link>http://verbatimlectures.com/garry/</link>
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		<pubDate>Tue, 09 Dec 2008 19:55:25 +0000</pubDate>
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		<description><![CDATA[Former Executive Director of GLAAD (Gay &#038; Lesbian Alliance Against Defamation), Garry is widely recognized as one of the most vocal, passionate and effective civil rights leaders in America.  She is a featured blogger at <i>The Huffington Post</i>, and frequently contributes commentary to major news publications and TV networks.]]></description>
			<content:encoded><![CDATA[<p>Joan M. Garry, former Executive Director of GLAAD (Gay &amp; Lesbian Alliance Against Defamation), is recognized as one of the most vocal, passionate and effective civil rights leaders in America.</p>
<p>Garry began her professional career as part of the management team that launched MTV in 1981 and it is that experience that shaped her view that the media profoundly influence the attitudes and opinions of people on nearly every issue.  With her 1997 appointment as executive director of GLAAD, a position she held for eight years, Joan realized she had connected her professional experience with her powerful voice.</p>
<p>Whether it was debating Jerry Falwell and Bill O&#8217;Reilly, or taking on <em>The New York Times</em> and persuading the <em>Times</em> to change its policy to include gay and lesbian couples on its wedding pages, Garry has been at the forefront of issues that mean something to her family and to countless other families across America.  This was never more evident than during the transformational election of 2008, when Garry was the Co-chair of the National LGBT Finance Committee for Obama for America, leading a committee of 75 fundraisers nationwide to engage and mobilize the LGBT community to champion the candidacy of President-elect Obama.</p>
<p>Currently a featured blogger at <a href="http://www.huffingtonpost.com/joan-garry-" target="_blank">The Huffington Post</a>, Garry is working to help Americans connect the front page to the world in their own back yards. She offers commentary on issues of relevance to the gay community as a columnist with <em>The Washington Blade</em>, and her personal essays have been published in <em>The Newark Star Ledger</em>, <em>The New York Times</em> and elsewhere.</p>
<h3>Program Descriptions</h3>
<h4><strong>The Civil Rights Issue of Our Time:  LGBT Equality</strong></h4>
<p>As one of America&#8217;s most prominent gay rights leaders, Garry offers thoughts on the current state of the movement,  examines it in terms of historical context and considers its trajectory over the next 5-10 years.  She addresses the opportunities and challenges facing the next generation of leadership, and proposes (and answers) difficult questions about the most effective ways to achieve success.</p>
<h4><strong>Goal-Oriented, Team-Driven Leadership<br />
</strong></h4>
<p>After a decade at the helm of one of the most visible gay rights organizations in America, Garry&#8217;s perspectives on leadership are authentic and unique.  From debating Jerry Falwell to persuading the <em>New York Times</em> to include gay and lesbian couples on its wedding pages, Garry has demonstrated leadership attributes that are forceful, effective and at the same time empathetic and respectful.  In her lecture, she shares the lessons gleaned from both her tenure as the Executive Director of GLAAD, and during the preceding fourteen years as a cable television executive with positions in strategic planning and new business development.</p>
<h4><strong>Media and its Impact on Changing Hearts and Minds </strong></h4>
<p>Historically, civil rights movements have focused on government, politics and the law to effect change.  The gay civil rights movement may have been the first to recognize and understand the power of the media to shape attitudes and opinions.   Garry shares the history and successes of this media activism, offering valuable lessons on the power of media advocacy to bring an issue to light and in so doing, change hearts and minds.<br />
<strong></strong></p>
<p><strong><span style="text-decoration: underline;"> </span></strong></p>
<h4><strong>Activism: A How-To Guide</strong></h4>
<p>As a prominent civil rights leader with demonstrated success in effecting change, Garry speaks about what it means to be an activist, the forms activism can take and the strategies and tactics that can be employed to move people to action.</p>
<h4><strong>Making a Difference in Non-Profit America:<br />
Can You Really Making A Living Doing Something You Care About?</strong></h4>
<p>Garry tells her own story &#8211; diving into a non-profit leadership role after a successful career as a media executive &#8211; and offers insight into non-profit work &#8211; the skills and expertise she brought with her from corporate America and the new ones she unearthed.</p>
<p><strong> </strong></p>
<h3><strong>Bio</strong></h3>
<p>Garry plays a critical role as a visible media spokesperson and critic.  In 1999, <em>Entertainment Weekly</em> featured her on its list of the &#8220;100 Most Influential People In Entertainment.&#8221;  Garry&#8217;s articulate advocacy has been featured across all national news networks, with notable media appearances including NBC&#8217;s &#8220;Today;&#8221; ABC&#8217;s &#8220;World News Tonight;&#8221; PBS&#8217; &#8220;The NewsHour with Jim Lehrer;&#8221; CNN&#8217;s &#8220;NewsNight with Aaron Brown;&#8221; CNBC&#8217;s &#8220;Dennis Miller Live;&#8221; numerous appearances on CNN, CSPAN, MSNBC (including &#8220;Hardball&#8221; with Chris Matthews) and Fox News Channel (including &#8220;The O&#8217;Reilly Factor&#8221; and &#8220;Hannity &amp; Colmes&#8221;).</p>
<p>Her comments are frequently sought by leading newspapers, magazines and news services, including <em>The New York Times</em>, the Associated Press, <em>Reuters</em>, the <em>Washington Post</em>,<em> USA Today</em>, <em>Time Magazine</em>, <em>Newsweek</em>, <em>The Wall Street Journal</em>, the <em>Los Angeles Times</em>, <em>Advertising Age and PR Week</em>, among others; and her thought-provoking op-ed essays have appeared in outlets such as <em>The New York Times</em> and <em>USA Today</em>.</p>
<p>During her eight-year tenure at GLAAD, Garry led the organization through a series of high-profile campaigns, most notably GLAAD&#8217;s highly successful public education initiative to combat and expose the defamatory rhetoric of &#8220;Dr. Laura&#8221; Schlessinger.</p>
<p>Garry lives in New Jersey with her partner of 27 years and their three children. Her landmark 1993 court challenge to New Jersey&#8217;s second-parent adoption law made Garry the first lesbian in the state to adopt her partner&#8217;s biological children.  She also blogs with and about her kids at<a href="http://www.whosthegrownup.com/" target="_blank"> www.whosthegrownup.com</a>, and on her own at <a href="http://www.joangarry.com/" target="_blank">www.joangarry.com</a>.  In the spirit of using her voice to advocate for change, Garry is the first and only female singing member of the New York City Gay Men&#8217;s Chorus.</p>
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		<title>Valerie Boyd</title>
		<link>http://verbatimlectures.com/boyd/</link>
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		<pubDate>Fri, 31 Oct 2008 19:04:23 +0000</pubDate>
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		<description><![CDATA[Award-winning author of the acclaimed biography <i>Wrapped in Rainbows: The Life of Zora Neale Hurston</i>, and the forthcoming <i>Spirits in the Dark: The Untold Story of Black Women in Hollywood</i> &#8212; a groundbreaking study tracing the history of black women in film and TV from the 1920s to the present.]]></description>
			<content:encoded><![CDATA[<p>Valerie Boyd is the author of <strong><em>Wrapped in Rainbows: The Life of Zora Neale Hurston</em></strong> (Scribner 2003), the critically acclaimed biography of the­­­­ novelist and anthropologist. Her next book, <strong><em>Spirits in the Dark: The Untold Story of Black Women in Hollywood</em></strong>, will be published by Knopf.</p>
<p><em>Wrapped in Rainbows</em>-the first biography of Zora Neale Hurston in 25 years-was published to enormous critical acclaim. It was hailed by Alice Walker as &#8220;magnificent&#8221; and &#8220;extraordinary&#8221;; by The Washington Post as &#8220;definitive&#8221;; and by the Boston Globe as &#8220;elegant and exhilarating.&#8221; The Southern Book Critics Circle honored it with the 2003 Southern Book Award for best nonfiction of the year.</p>
<h3><strong>Program Descriptions</strong><strong><em><br />
</em></strong></h3>
<h4><strong>Don&#8217;t Go Chasing Waterfalls: The Story of Black Women in Hollywood</strong></h4>
<p>In her eye-opening lecture slide program, Boyd takes audiences on a journey into her ongoing research for her forthcoming book, <em>Spirits in the Dark: The Untold Story of Black Women in Hollywood</em>, a groundbreaking study tracing the ­­­history of black women in film and television from the 1920s to the present. Accompanied by a dazzling array of slides, Boyd walks audiences through a gallery of Hollywood&#8217;s most important black women players, decade by decade, from Lena Horne to Halle Berry, from Hattie McDaniel to Queen Latifah.</p>
<p>Chronicling the battle for inclusiveness that African-American women have waged over the years, this talk explores how numerous women-mostly as actresses, but later also as writers, directors and producers-have challenged and changed the movie capitol of the world, and how others have been devoured by it.</p>
<h4><strong><em>Their Eyes Were Watching God</em>: The Back Story</strong></h4>
<p>In this in-depth discussion, Boyd shares with audiences the impetus and inspiration for Hurston&#8217;s 1937 masterpiece, <em>Their Eyes Were Watching God</em>. Pulitzer Prize-winning novelist Alice Walker has said there is no book more important to her, and Oprah Winfrey has called the novel her favorite love story of all time. Winfrey even turned the book into a television movie starring Halle Berry. But where did this timeless novel come from? How did Hurston dream it up? It turns out that the love story of Janie and Tea Cake was inspired by the author&#8217;s own rendezvous with a younger man in the 1930s. Boyd reveals details about Hurston&#8217;s own Tea Cake and delves into the roots of this American classic.</p>
<h3><strong>Bio</strong></h3>
<p>Boyd is the Charlayne Hunter-Gault Distinguished Writer in Residence at the University of Georgia, where she teaches narrative nonfiction writing, as well as arts and literary journalism. An accomplished journalist and cultural critic, Boyd is the former arts editor at <em>The Atlanta Journal-Constitution</em>, and she has been published in numerous anthologies, magazines and newspapers.</p>
<p>Her articles, essays and reviews have appeared in <em>Step Into a World: A Global Anthology of the New Black Literature</em>,<em> Ms. Magazine</em>, <em>Essence</em>, <em>The Washington Post</em>, <em>The LA Times</em>,<em> African American Review</em> and other publications. She founded <em>EightRock</em>, a cutting-edge journal of black arts and culture, in 1990. In 1992, she co-founded <em>HealthQuest</em>, the first nationally distributed magazine focusing on African-American health.</p>
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