<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Verbatim Lecture Management &#187; First Year Experience</title>
	<atom:link href="http://verbatimlectures.com/ideas-and-issues/first-year-experience/feed/" rel="self" type="application/rss+xml" />
	<link>http://verbatimlectures.com</link>
	<description>Ideas · Issues · Innovation</description>
	<lastBuildDate>Wed, 16 May 2012 14:17:03 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.2.1</generator>
<image><title>Verbatim Lecture Management</title><url>http://verbatimlectures.com/wordpress/wp-content/themes/blueprint/assets/verbatim_logo_facebook_small.jpg</url><link>http://verbatimlectures.com</link><width>100</width><height>130</height><description>Verbatim Lecture Management represents a broad spectrum of authors, journalists, filmmakers and activists.</description></image>		<item>
		<title>Separate, But Equal</title>
		<link>http://verbatimlectures.com/separatebutequal/</link>
		<comments>http://verbatimlectures.com/separatebutequal/#comments</comments>
		<pubDate>Mon, 08 Aug 2011 14:34:31 +0000</pubDate>
		<dc:creator>jason</dc:creator>
				<category><![CDATA[Speakers]]></category>
		<category><![CDATA[Diversity/Race]]></category>
		<category><![CDATA[Education]]></category>
		<category><![CDATA[Ethics/Values]]></category>
		<category><![CDATA[First Year Experience]]></category>
		<category><![CDATA[Inspiration/Adversity]]></category>

		<guid isPermaLink="false">http://verbatimlectures.com/?p=1411</guid>
		<description><![CDATA[Based upon the acclaimed book he co-authored, <i>Separate, But Equal: The Mississippi Photographs of Henry Clay Anderson</i>, filmmaker Shawn D. Wilson’s documentary explores the all black, separate-but-equal town of Greenville, MS in the 1950s-60s, and asks a most provocative question about desegregation: "Did we lose more than we gained?"]]></description>
			<content:encoded><![CDATA[<p>Documentary Filmmaker and co-author of <em>Separate, But Equal:  The Mississippi Photographs of Henry Clay Anderson, </em>Shawn D. Wilson, uses his extensive research on segregation in the Deep South to examine a provocative question about integration: “Did we lose more than we gained?”  Despite the hardships imposed by Jim Crow, these proud people supported their communities and each other, enjoyed church socials and family gatherings, clubs and sports. They lived their lives separately, but—in many ways—equally.</p>
<h4><strong>Separate, But Equal</strong> &#8212; the film:</h4>
<p>In this documentary, Wilson poses the question without using a single image of a fire hose, growling dog, or burning cross to help make his point.  Henry Clay Anderson’s photographs and the stories surrounding them serve to reshape the image of African Americans in Mississippi during legal segregation.  His rediscovered photographs document a virtually ignored and neglected chapter in African-American history: the proud, dignified community of middle-class blacks that existed throughout the South at the dawn of the civil rights movement.  The photographs contained in this film are works of art, but they are also historical documents.  And, thankfully, they have been acquired by the Smithsonian National Museum of African-American History and Culture in Washington, DC and will be on permanent display in 2016.</p>
<p>Henry Clay Anderson, a professional photographer who lived and worked in Greenville, Mississippi, established Anderson Photo Service in Greenville in 1947. Throughout the ’50’s and ’60’s, he photographed every aspect of his relatively prosperous black community, recording the daily lives of the men and women who built the Greenville schools, churches, and hospitals that served their segregated society. He photographed family gatherings, weddings, funerals, and events at the black high school. He photographed nightclub musicians, itinerant entertainers, and a wide range of professionals at work.</p>
<h3><strong>Program Description</strong></h3>
<h4><strong>Reshaping African American History and Building Community Esteem</strong></h4>
<p>Wilson uses his film and its subject matter as a window into the lives of African-Americans during legal segregation in Mississippi &#8212; a world that has been overlooked in the aftermath of the civil rights movement &#8211; the community of black middle class Southerners who considered themselves first-class Americans despite living in a deeply segregated society.</p>
<p>Through Anderson’s photos of life in Greenville, Wilson shows how a cooperative system can create empowerment in the community and beyond.  He addresses the importance of education and economic development as a means to pull oneself up by one’s own bootstraps, per Booker T. Washington in <em>Up from Slavery</em>. Wilson also examines how the power of place can be a factor in community development and how that factor can affect other aspects of our lives. He also examines the role that news publications play in the interconnectedness of, and divisions within, society and how that has helped and hurt the African-American community.</p>
<h3>Bios</h3>
<p><strong>Shawn D. Wilson (Writer and Director)<br />
</strong>Co-author of <em>Separate, But Equal:  The Mississippi Photographs of Henry Clay Anderson</em>, Wilson has spent the past 10 years working as a filmmaker and producer. His clients included The Historymakers where he produced dozens of interviews with influential African Americans, including Lynn Nottage, and Marc Morial. He is also research consultant to the Smithsonian NMAAHC. “Separate, But Equal” marks his directorial debut.</p>
<p><strong>Ilyana Kadushin  (Producer and Composer)</strong><br />
A co-founder of Lythion Music, Kadushin produced and scored &#8220;Separate, But Equal&#8221;.  She is globally known as the voice of best-selling audio book series &#8220;Twilight&#8221;, and has toured and spoken at fan symposiums and book store events as that voice. A dedicated activist for progressive causes, Ilyana and her company have written and performed their music live to benefit organizations like:  Amnesty International, True Body Project, Wildlife Federation, Hands Up Not Hands Out (Ilyana is an ambassador) and Rock&#8217;NRenew.</p>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 512px; width: 1px; height: 1px; overflow: hidden;"><!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:TrackMoves /> <w:TrackFormatting /> <w:DoNotShowRevisions /> <w:DoNotPrintRevisions /> <w:DoNotShowMarkup /> <w:DoNotShowComments /> <w:DoNotShowInsertionsAndDeletions /> <w:DoNotShowPropertyChanges /> <w:PunctuationKerning /> <w:ValidateAgainstSchemas /> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:DoNotPromoteQF /> <w:LidThemeOther>EN-US</w:LidThemeOther> <w:LidThemeAsian>X-NONE</w:LidThemeAsian> <w:LidThemeComplexScript>X-NONE</w:LidThemeComplexScript> <w:Compatibility> <w:BreakWrappedTables /> <w:SnapToGridInCell /> <w:WrapTextWithPunct /> <w:UseAsianBreakRules /> <w:DontGrowAutofit /> <w:SplitPgBreakAndParaMark /> <w:DontVertAlignCellWithSp /> <w:DontBreakConstrainedForcedTables /> <w:DontVertAlignInTxbx /> <w:Word11KerningPairs /> <w:CachedColBalance /> </w:Compatibility> <w:BrowserLevel>MicrosoftInternetExplorer4</w:BrowserLevel> <m:mathPr> <m:mathFont m:val="Cambria Math" /> <m:brkBin m:val="before" /> <m:brkBinSub m:val="&#45;-" /> <m:smallFrac m:val="off" /> <m:dispDef /> <m:lMargin m:val="0" /> <m:rMargin m:val="0" /> <m:defJc m:val="centerGroup" /> <m:wrapIndent m:val="1440" /> <m:intLim m:val="subSup" /> <m:naryLim m:val="undOvr" /> </m:mathPr></w:WordDocument> </xml><![endif]--><!--[if gte mso 9]><xml> <w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"   DefSemiHidden="true" DefQFormat="false" DefPriority="99"   LatentStyleCount="267"> <w:LsdException Locked="false" Priority="0" SemiHidden="false"    UnhideWhenUsed="false" QFormat="true" Name="Normal" /> <w:LsdException Locked="false" Priority="9" SemiHidden="false"    UnhideWhenUsed="false" QFormat="true" Name="heading 1" /> <w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 2" /> <w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 3" /> <w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 4" /> <w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 5" /> <w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 6" /> <w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 7" /> <w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 8" /> <w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 9" /> <w:LsdException Locked="false" Priority="39" Name="toc 1" /> <w:LsdException Locked="false" Priority="39" Name="toc 2" /> <w:LsdException Locked="false" Priority="39" Name="toc 3" /> <w:LsdException Locked="false" Priority="39" Name="toc 4" /> <w:LsdException Locked="false" Priority="39" Name="toc 5" /> <w:LsdException Locked="false" Priority="39" Name="toc 6" /> <w:LsdException Locked="false" Priority="39" Name="toc 7" /> <w:LsdException Locked="false" Priority="39" Name="toc 8" /> <w:LsdException Locked="false" Priority="39" Name="toc 9" /> <w:LsdException Locked="false" Priority="35" QFormat="true" Name="caption" /> <w:LsdException Locked="false" Priority="10" SemiHidden="false"    UnhideWhenUsed="false" QFormat="true" Name="Title" /> <w:LsdException Locked="false" Priority="0" Name="Default Paragraph Font" /> <w:LsdException Locked="false" Priority="11" SemiHidden="false"    UnhideWhenUsed="false" QFormat="true" Name="Subtitle" /> <w:LsdException Locked="false" Priority="22" SemiHidden="false"    UnhideWhenUsed="false" QFormat="true" Name="Strong" /> <w:LsdException Locked="false" Priority="20" SemiHidden="false"    UnhideWhenUsed="false" QFormat="true" Name="Emphasis" /> <w:LsdException Locked="false" Priority="59" SemiHidden="false"    UnhideWhenUsed="false" Name="Table Grid" /> <w:LsdException Locked="false" UnhideWhenUsed="false" Name="Placeholder Text" /> <w:LsdException Locked="false" Priority="1" SemiHidden="false"    UnhideWhenUsed="false" QFormat="true" Name="No Spacing" /> <w:LsdException Locked="false" Priority="60" SemiHidden="false"    UnhideWhenUsed="false" Name="Light Shading" /> <w:LsdException Locked="false" Priority="61" SemiHidden="false"    UnhideWhenUsed="false" Name="Light List" /> <w:LsdException Locked="false" Priority="62" SemiHidden="false"    UnhideWhenUsed="false" Name="Light Grid" /> <w:LsdException Locked="false" Priority="63" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Shading 1" /> <w:LsdException Locked="false" Priority="64" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Shading 2" /> <w:LsdException Locked="false" Priority="65" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium List 1" /> <w:LsdException Locked="false" Priority="66" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium List 2" /> <w:LsdException Locked="false" Priority="67" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Grid 1" /> <w:LsdException Locked="false" Priority="68" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Grid 2" /> <w:LsdException Locked="false" Priority="69" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Grid 3" /> <w:LsdException Locked="false" Priority="70" SemiHidden="false"    UnhideWhenUsed="false" Name="Dark List" /> <w:LsdException Locked="false" Priority="71" SemiHidden="false"    UnhideWhenUsed="false" Name="Colorful Shading" /> <w:LsdException Locked="false" Priority="72" SemiHidden="false"    UnhideWhenUsed="false" Name="Colorful List" /> <w:LsdException Locked="false" Priority="73" SemiHidden="false"    UnhideWhenUsed="false" Name="Colorful Grid" /> <w:LsdException Locked="false" Priority="60" SemiHidden="false"    UnhideWhenUsed="false" Name="Light Shading Accent 1" /> <w:LsdException Locked="false" Priority="61" SemiHidden="false"    UnhideWhenUsed="false" Name="Light List Accent 1" /> <w:LsdException Locked="false" Priority="62" SemiHidden="false"    UnhideWhenUsed="false" Name="Light Grid Accent 1" /> <w:LsdException Locked="false" Priority="63" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Shading 1 Accent 1" /> <w:LsdException Locked="false" Priority="64" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Shading 2 Accent 1" /> <w:LsdException Locked="false" Priority="65" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium List 1 Accent 1" /> <w:LsdException Locked="false" UnhideWhenUsed="false" Name="Revision" /> <w:LsdException Locked="false" Priority="34" SemiHidden="false"    UnhideWhenUsed="false" QFormat="true" Name="List Paragraph" /> <w:LsdException Locked="false" Priority="29" SemiHidden="false"    UnhideWhenUsed="false" QFormat="true" Name="Quote" /> <w:LsdException Locked="false" Priority="30" SemiHidden="false"    UnhideWhenUsed="false" QFormat="true" Name="Intense Quote" /> <w:LsdException Locked="false" Priority="66" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium List 2 Accent 1" /> <w:LsdException Locked="false" Priority="67" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Grid 1 Accent 1" /> <w:LsdException Locked="false" Priority="68" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Grid 2 Accent 1" /> <w:LsdException Locked="false" Priority="69" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Grid 3 Accent 1" /> <w:LsdException Locked="false" Priority="70" SemiHidden="false"    UnhideWhenUsed="false" Name="Dark List Accent 1" /> <w:LsdException Locked="false" Priority="71" SemiHidden="false"    UnhideWhenUsed="false" Name="Colorful Shading Accent 1" /> <w:LsdException Locked="false" Priority="72" SemiHidden="false"    UnhideWhenUsed="false" Name="Colorful List Accent 1" /> <w:LsdException Locked="false" Priority="73" SemiHidden="false"    UnhideWhenUsed="false" Name="Colorful Grid Accent 1" /> <w:LsdException Locked="false" Priority="60" SemiHidden="false"    UnhideWhenUsed="false" Name="Light Shading Accent 2" /> <w:LsdException Locked="false" Priority="61" SemiHidden="false"    UnhideWhenUsed="false" Name="Light List Accent 2" /> <w:LsdException Locked="false" Priority="62" SemiHidden="false"    UnhideWhenUsed="false" Name="Light Grid Accent 2" /> <w:LsdException Locked="false" Priority="63" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Shading 1 Accent 2" /> <w:LsdException Locked="false" Priority="64" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Shading 2 Accent 2" /> <w:LsdException Locked="false" Priority="65" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium List 1 Accent 2" /> <w:LsdException Locked="false" Priority="66" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium List 2 Accent 2" /> <w:LsdException Locked="false" Priority="67" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Grid 1 Accent 2" /> <w:LsdException Locked="false" Priority="68" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Grid 2 Accent 2" /> <w:LsdException Locked="false" Priority="69" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Grid 3 Accent 2" /> <w:LsdException Locked="false" Priority="70" SemiHidden="false"    UnhideWhenUsed="false" Name="Dark List Accent 2" /> <w:LsdException Locked="false" Priority="71" SemiHidden="false"    UnhideWhenUsed="false" Name="Colorful Shading Accent 2" /> <w:LsdException Locked="false" Priority="72" SemiHidden="false"    UnhideWhenUsed="false" Name="Colorful List Accent 2" /> <w:LsdException Locked="false" Priority="73" SemiHidden="false"    UnhideWhenUsed="false" Name="Colorful Grid Accent 2" /> <w:LsdException Locked="false" Priority="60" SemiHidden="false"    UnhideWhenUsed="false" Name="Light Shading Accent 3" /> <w:LsdException Locked="false" Priority="61" SemiHidden="false"    UnhideWhenUsed="false" Name="Light List Accent 3" /> <w:LsdException Locked="false" Priority="62" SemiHidden="false"    UnhideWhenUsed="false" Name="Light Grid Accent 3" /> <w:LsdException Locked="false" Priority="63" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Shading 1 Accent 3" /> <w:LsdException Locked="false" Priority="64" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Shading 2 Accent 3" /> <w:LsdException Locked="false" Priority="65" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium List 1 Accent 3" /> <w:LsdException Locked="false" Priority="66" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium List 2 Accent 3" /> <w:LsdException Locked="false" Priority="67" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Grid 1 Accent 3" /> <w:LsdException Locked="false" Priority="68" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Grid 2 Accent 3" /> <w:LsdException Locked="false" Priority="69" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Grid 3 Accent 3" /> <w:LsdException Locked="false" Priority="70" SemiHidden="false"    UnhideWhenUsed="false" Name="Dark List Accent 3" /> <w:LsdException Locked="false" Priority="71" SemiHidden="false"    UnhideWhenUsed="false" Name="Colorful Shading Accent 3" /> <w:LsdException Locked="false" Priority="72" SemiHidden="false"    UnhideWhenUsed="false" Name="Colorful List Accent 3" /> <w:LsdException Locked="false" Priority="73" SemiHidden="false"    UnhideWhenUsed="false" Name="Colorful Grid Accent 3" /> <w:LsdException Locked="false" Priority="60" SemiHidden="false"    UnhideWhenUsed="false" Name="Light Shading Accent 4" /> <w:LsdException Locked="false" Priority="61" SemiHidden="false"    UnhideWhenUsed="false" Name="Light List Accent 4" /> <w:LsdException Locked="false" Priority="62" SemiHidden="false"    UnhideWhenUsed="false" Name="Light Grid Accent 4" /> <w:LsdException Locked="false" Priority="63" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Shading 1 Accent 4" /> <w:LsdException Locked="false" Priority="64" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Shading 2 Accent 4" /> <w:LsdException Locked="false" Priority="65" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium List 1 Accent 4" /> <w:LsdException Locked="false" Priority="66" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium List 2 Accent 4" /> <w:LsdException Locked="false" Priority="67" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Grid 1 Accent 4" /> <w:LsdException Locked="false" Priority="68" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Grid 2 Accent 4" /> <w:LsdException Locked="false" Priority="69" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Grid 3 Accent 4" /> <w:LsdException Locked="false" Priority="70" SemiHidden="false"    UnhideWhenUsed="false" Name="Dark List Accent 4" /> <w:LsdException Locked="false" Priority="71" SemiHidden="false"    UnhideWhenUsed="false" Name="Colorful Shading Accent 4" /> <w:LsdException Locked="false" Priority="72" SemiHidden="false"    UnhideWhenUsed="false" Name="Colorful List Accent 4" /> <w:LsdException Locked="false" Priority="73" SemiHidden="false"    UnhideWhenUsed="false" Name="Colorful Grid Accent 4" /> <w:LsdException Locked="false" Priority="60" SemiHidden="false"    UnhideWhenUsed="false" Name="Light Shading Accent 5" /> <w:LsdException Locked="false" Priority="61" SemiHidden="false"    UnhideWhenUsed="false" Name="Light List Accent 5" /> <w:LsdException Locked="false" Priority="62" SemiHidden="false"    UnhideWhenUsed="false" Name="Light Grid Accent 5" /> <w:LsdException Locked="false" Priority="63" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Shading 1 Accent 5" /> <w:LsdException Locked="false" Priority="64" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Shading 2 Accent 5" /> <w:LsdException Locked="false" Priority="65" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium List 1 Accent 5" /> <w:LsdException Locked="false" Priority="66" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium List 2 Accent 5" /> <w:LsdException Locked="false" Priority="67" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Grid 1 Accent 5" /> <w:LsdException Locked="false" Priority="68" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Grid 2 Accent 5" /> <w:LsdException Locked="false" Priority="69" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Grid 3 Accent 5" /> <w:LsdException Locked="false" Priority="70" SemiHidden="false"    UnhideWhenUsed="false" Name="Dark List Accent 5" /> <w:LsdException Locked="false" Priority="71" SemiHidden="false"    UnhideWhenUsed="false" Name="Colorful Shading Accent 5" /> <w:LsdException Locked="false" Priority="72" SemiHidden="false"    UnhideWhenUsed="false" Name="Colorful List Accent 5" /> <w:LsdException Locked="false" Priority="73" SemiHidden="false"    UnhideWhenUsed="false" Name="Colorful Grid Accent 5" /> <w:LsdException Locked="false" Priority="60" SemiHidden="false"    UnhideWhenUsed="false" Name="Light Shading Accent 6" /> <w:LsdException Locked="false" Priority="61" SemiHidden="false"    UnhideWhenUsed="false" Name="Light List Accent 6" /> <w:LsdException Locked="false" Priority="62" SemiHidden="false"    UnhideWhenUsed="false" Name="Light Grid Accent 6" /> <w:LsdException Locked="false" Priority="63" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Shading 1 Accent 6" /> <w:LsdException Locked="false" Priority="64" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Shading 2 Accent 6" /> <w:LsdException Locked="false" Priority="65" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium List 1 Accent 6" /> <w:LsdException Locked="false" Priority="66" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium List 2 Accent 6" /> <w:LsdException Locked="false" Priority="67" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Grid 1 Accent 6" /> <w:LsdException Locked="false" Priority="68" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Grid 2 Accent 6" /> <w:LsdException Locked="false" Priority="69" SemiHidden="false"    UnhideWhenUsed="false" Name="Medium Grid 3 Accent 6" /> <w:LsdException Locked="false" Priority="70" SemiHidden="false"    UnhideWhenUsed="false" Name="Dark List Accent 6" /> <w:LsdException Locked="false" Priority="71" SemiHidden="false"    UnhideWhenUsed="false" Name="Colorful Shading Accent 6" /> <w:LsdException Locked="false" Priority="72" SemiHidden="false"    UnhideWhenUsed="false" Name="Colorful List Accent 6" /> <w:LsdException Locked="false" Priority="73" SemiHidden="false"    UnhideWhenUsed="false" Name="Colorful Grid Accent 6" /> <w:LsdException Locked="false" Priority="19" SemiHidden="false"    UnhideWhenUsed="false" QFormat="true" Name="Subtle Emphasis" /> <w:LsdException Locked="false" Priority="21" SemiHidden="false"    UnhideWhenUsed="false" QFormat="true" Name="Intense Emphasis" /> <w:LsdException Locked="false" Priority="31" SemiHidden="false"    UnhideWhenUsed="false" QFormat="true" Name="Subtle Reference" /> <w:LsdException Locked="false" Priority="32" SemiHidden="false"    UnhideWhenUsed="false" QFormat="true" Name="Intense Reference" /> <w:LsdException Locked="false" Priority="33" SemiHidden="false"    UnhideWhenUsed="false" QFormat="true" Name="Book Title" /> <w:LsdException Locked="false" Priority="37" Name="Bibliography" /> <w:LsdException Locked="false" Priority="39" QFormat="true" Name="TOC Heading" /> </w:LatentStyles> </xml><![endif]--><!--[if gte mso 10]> <mce:style><!   /* Style Definitions */  table.MsoNormalTable 	{mso-style-name:"Table Normal"; 	mso-tstyle-rowband-size:0; 	mso-tstyle-colband-size:0; 	mso-style-noshow:yes; 	mso-style-priority:99; 	mso-style-qformat:yes; 	mso-style-parent:""; 	mso-padding-alt:0in 5.4pt 0in 5.4pt; 	mso-para-margin:0in; 	mso-para-margin-bottom:.0001pt; 	mso-pagination:widow-orphan; 	font-size:11.0pt; 	font-family:"Calibri","sans-serif"; 	mso-ascii-font-family:Calibri; 	mso-ascii-theme-font:minor-latin; 	mso-fareast-font-family:"Times New Roman"; 	mso-fareast-theme-font:minor-fareast; 	mso-hansi-font-family:Calibri; 	mso-hansi-theme-font:minor-latin; 	mso-bidi-font-family:"Times New Roman"; 	mso-bidi-theme-font:minor-bidi;} --> <!--[endif] --><strong style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-size: 10.0pt; font-family: &amp;amp;amp; mso-fareast-font-family: Helvetica; mso-bidi-font-family: &amp;amp;amp; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;">Shawn D. Wilson (Writer and Director)<br />
</span></strong><span style="font-size: 12.0pt; mso-bidi-font-size: 10.0pt; font-family: &amp;amp;amp; mso-fareast-font-family: Helvetica; mso-bidi-font-family: &amp;amp;amp; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;">Co-author of <em style="mso-bidi-font-style: normal;">Separate, But Equal:<span style="mso-spacerun: yes;"> </span>The Mississippi Photographs of Henry Clay Anderson</em>, Wilson has spent the past 10 years working as a filmmaker and producer. His clients included The Historymakers where he produced dozens of interviews with influencial African Americans, including Lynn Notta</span><strong>Shawn D. Wilson (Writer and Director)<br />
</strong>Co-author of <em>Separate, But Equal:  The Mississippi Photographs of Henry Clay Anderson</em>, Wilson has spent the past 10 years working as a filmmaker and producer. His clients included The Historymakers where he produced dozens of interviews with influencial African Americans, including Lynn Nottage, and Marc Morial. He is also research consultant to the Smithsonian NMAAHC. “Separate, But Equal” marks his directorial debut.<strong>Ilyana Kadushin Bio </strong>(Producer and Composer)A co-founder Lythion Music, Kadushin produced and scored &#8220;Separate, But Equal&#8221;.  She is globally known as the voice of best-selling audio book series &#8220;Twilight&#8221;, and has toured and spoken at fan symposiums and book store events as that voice. A dedicated activist for progressive causes, Ilyana and her company have written and performed their music live to benefit organizations like:  Amnesty International, True Body Project, Wildlife Federation, Hands Up Not Hands Out (Ilyana is an ambassador) and Rock&#8217;NRenew.</p>
<p><span style="font-size: 12.0pt; mso-bidi-font-size: 10.0pt; font-family: &amp;amp;amp; mso-fareast-font-family: Helvetica; mso-bidi-font-family: &amp;amp;amp; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;">ge, and Marc Morial. He is also research consultant to the Smithsonian NMAAHC. “Separate, But Equal” marks his directorial debut. </span></p>
<p class="MsoNormal">
<p class="MsoNormal">
<p><span style="font-size: 12.0pt; mso-bidi-font-size: 10.0pt; font-family: &amp;amp;amp; mso-fareast-font-family: Helvetica; mso-bidi-font-family: &amp;amp;amp; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;"><span style="mso-spacerun: yes;"> </span></span></p>
<p class="MsoNormal">
<p><strong style="mso-bidi-font-weight: normal;"><span style="font-size: 12.0pt; mso-bidi-font-size: 10.0pt; font-family: &amp;amp;amp; mso-fareast-font-family: Helvetica; mso-bidi-font-family: &amp;amp;amp; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;">Ilyana Kadushin Bio </span></strong><span style="font-size: 12.0pt; mso-bidi-font-size: 10.0pt; font-family: &amp;amp;amp; mso-fareast-font-family: Helvetica; mso-bidi-font-family: &amp;amp;amp; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;">(Producer and Composer)</span></p>
<p class="MsoNormal">
<p class="MsoNormal">
<p><span style="font-size: 12.0pt; mso-bidi-font-size: 10.0pt; font-family: &amp;amp;amp; mso-fareast-font-family: Helvetica; mso-bidi-font-family: &amp;amp;amp; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;">A co-founder Lythion Music, Kadushin produced and scored &#8220;Separate, But Equal&#8221;.<span style="mso-spacerun: yes;"> </span>She is globally known as the voice of best-selling audio book series &#8220;Twilight&#8221;, and has toured and spoken at fan symposiums and book store events as that voice. A dedicated activist for progressive causes, Ilyana and her company have written and performed their music live to benefit organizations like:<span style="mso-spacerun: yes;"> </span>Amnesty International, True Body Project, Wildlife Federation, Hands Up Not Hands Out (Ilyana is an ambassador) and Rock&#8217;NRenew.</span></p>
<p class="MsoNormal">
</div>
]]></content:encoded>
			<wfw:commentRss>http://verbatimlectures.com/separatebutequal/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Tom Clynes</title>
		<link>http://verbatimlectures.com/clynes/</link>
		<comments>http://verbatimlectures.com/clynes/#comments</comments>
		<pubDate>Tue, 29 Mar 2011 20:13:55 +0000</pubDate>
		<dc:creator>jason</dc:creator>
				<category><![CDATA[Speakers]]></category>
		<category><![CDATA[First Year Experience]]></category>
		<category><![CDATA[Globalization/World Affairs]]></category>
		<category><![CDATA[Human Rights]]></category>
		<category><![CDATA[Inspiration/Adversity]]></category>
		<category><![CDATA[Journalism/Media]]></category>
		<category><![CDATA[Leadership/Teamwork]]></category>

		<guid isPermaLink="false">http://verbatimlectures.com/?p=1267</guid>
		<description><![CDATA[Acclaimed journalist, photographer and author of <i>Wild Planet</i>, Tom Clynes, longtime Contributing Editor at <i>National Geographic Adventure</i> brings audiences along on assignment to the ends of the Earth, telling the stories of individuals who managed to shape once-ordinary lives into extraordinary, world-changing adventures, and how each of us can do the same.]]></description>
			<content:encoded><![CDATA[<p>Tom Clynes has spent the last decade as a writer and photographer for National Geographic publications. In his authentic and stunningly visual presentations, Clynes brings audiences along on assignment to the ends of the Earth. You’ll meet the astonishing people—explorers, virus hunters, Ebola doctors and more—whose stories embody the spirit of adventure. You’ll learn how these individuals shaped once-ordinary lives into extraordinary, world-changing adventures. And you’ll discover what their experiences can tell us about how to spark our own dreams into action.</p>
<p>Tom works with organizations that want to stimulate action and involvement. His high-intrigue, high-energy programs catalyze creativity and challenge constituents to open up their thinking. Let Tom Clynes give your audience something substantial to talk about—and move them forward with an enduring sense of expanded possibilities.</p>
<h3>Program Descriptions</h3>
<h4>Can One Person Really Change the World?</h4>
<p>Tom’s provocative and visually stunning presentation answers this question with dramatic and inspiring stories of real people who shaped once-ordinary lives into world-changing adventures. Discover how they did it, why they did it, and why the world needs us to pursue the goals we really care about. By artfully weaving the stories of your own “heroes” with the achievements of world-changing heroes, this program is designed to boost energy, involvement and enthusiasm.</p>
<h4>The Art of Audacity</h4>
<p>Audacity is the missing ingredient in far too many worthy endeavors. But some people seem to have it in abundance: The explorer whose jungle expedition led to the biggest African conservation victory in three decades&#8230;the “elephant whisperer” who rescued the animals in the Baghdad Zoo&#8230;the virus hunter whose ambitious plan to stop epidemics before they start is shifting the way the world confronts infectious diseases. Via astonishing stories and photos, this program challenges audiences to believe in their boldest dreams—and energizes your meeting with an anything-is-possible spirit.</p>
<h4>The Seven Habits of World-Changers</h4>
<p>People who succeed in changing the world are not born—they’re self-made. In this enlightening—and surprising—presentation, you’ll discover the intriguing life lessons behind the success of people who dared to challenge and change the status quo. Expect to be entertained, provoked, and wowed by these spectacular images and stories.</p>
<h4>Ends of the Earth</h4>
<p>Expect to question your own personal and cultural truths during this rollicking tour of the Earth’s natural and cultural extremes. From Thailand’s Vegetarian Banquet for Monkeys, to the man who risked his life to rescue the animals in the Baghdad Zoo, to the world’s roughest sport, Tom is your guide to the world at its most thrilling, open, colorful, and alive. Audiences will be entertained, provoked, and wowed by these spectacular images and stories.</p>
<h3>Bio</h3>
<p>For the past decade, Tom Clynes has been a contributing editor and photographer at <em>National Geographic Adventure</em>, covering environmental issues, science, and adventure travel. He also contributes to <em>Popular Science</em>, <em>Men’s Journal</em>, <em>The New York Times</em>, <em>GQ</em>, and other publications, and is the author of the book “Wild Planet.” Tom’s magazine stories often appear in Houghton-Mifflin’s “<em>Best American</em>” series of magazine-writing anthologies.</p>
]]></content:encoded>
			<wfw:commentRss>http://verbatimlectures.com/clynes/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Emily Liebert</title>
		<link>http://verbatimlectures.com/liebert/</link>
		<comments>http://verbatimlectures.com/liebert/#comments</comments>
		<pubDate>Thu, 06 Aug 2009 14:39:57 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Authors]]></category>
		<category><![CDATA[Speakers]]></category>
		<category><![CDATA[Business Strategy/Management]]></category>
		<category><![CDATA[Campus Life]]></category>
		<category><![CDATA[Facebook]]></category>
		<category><![CDATA[First Year Experience]]></category>
		<category><![CDATA[Innovation]]></category>
		<category><![CDATA[Inspiration/Adversity]]></category>
		<category><![CDATA[Marketing/Branding]]></category>
		<category><![CDATA[Web 2.0]]></category>

		<guid isPermaLink="false">http://verbatimlectures.com/?p=383</guid>
		<description><![CDATA[Award-winning writer, editor and author of <i>Facebook Fairytales: Modern-Day Miracles to Inspire the Human Spirit</i>,  Liebert examines the positive power and untapped potential of the social networking revolution, beginning with 25 true stories of hope and triumph reaching across cultures -- all resulting from Facebook connections.
]]></description>
			<content:encoded><![CDATA[<p>Sisters unite after 30 years apart. An adoptive couple takes home a child. A schoolteacher in Denmark invites the Prime Minister to speak to his class of special needs students and he says yes. A hit-and-run victim tracks down the person who put him in a coma. A runaway teen is found, while another’s life is saved across an ocean. Jobs are secured. Businesses experience rampant growth. And, a presidential election is won.</p>
<p>What do all of these people have in common? <strong>Facebook</strong></p>
<p><strong> </strong></p>
<h3>Program Description</h3>
<h4>Facebook Fairytales: Modern-Day Miracles to Inspire the Human Spirit</h4>
<p>Having recently reached a milestone of over 350 million active users, Facebook has become not only a household staple spanning generations—from high school and college students, to their parents, and even grandparents, but Facebook, and social networking in general, represents a cultural revolution and massive shift in the way people conduct their personal and professional affairs. It’s opened up an international dialogue that didn’t exist five years ago, allowing members to connect in an efficient and technologically advanced way.</p>
<p>But what comes of these millions of connections? How can people better use this technology to their professional and personal advantage?<strong><br />
</strong></p>
<p><strong> </strong></p>
<p>In her lecture/slide program, Liebert demonstrates how Facebook, in the short span of five years, has <span style="font-size: 10pt; color: black;">fostered</span> an intricate web of amazing connections, the results of which have transformed people’s lives in ways they never imagined possible:  marriages, business successes, community service victories, and more.  Liebert addresses the ways in which commerce and communication are moving from traditional settings and onto the web, and how everyday people can use these tools to not only keep in touch with friends and make new ones, but to use those relationships to enrich their lives.  <span style="font-size: 10pt; color: black;"><em> </em><br />
</span></p>
<p>Including separate interviews with <span style="font-size: 10pt; color: black;">with co-founder and CEO Mark Zuckerberg, and co-founder Chris Hughes, <em> </em></span><em>Facebook Fairytales</em> is a diverse collection of 25 of the most inspiring stories that have resulted from these connections.  The stories emphasize the real-life characters’ personal struggles and triumphs. Audiences will be able to personally relate to these stories and, at the same time, be inspired and by the possibilities of success resulting from a few clicks and the willingness to try.</p>
<h3>Bio</h3>
<p>Emily Liebert is an award-winning, internationally published author, writer, and editor. Her first book<em> Facebook Fairytales:  Modern-Day Miracles to Inspire                             the Human Spirit</em> will publish in April 2010. She is also hard at work finishing final edits on her debut novel, <em>Conversations with Friends</em>.  Most recently, Liebert served as editor for Kerry                              Kennedy’s<em> New York Times</em> best-seller                              <em>Being Catholic Now: Prominent Americans Talk About                              Change in the Church and the Quest for Meaning</em>.  A graduate of Smith College, Liebert was Editor-in-Chief                              of <em>The WAG</em> magazine for five years and, prior                              to that, worked for ABC NEWS’<em> Peter Jennings                              Reporting. </em>She received the Clarion Gold Award in Magazine Journalism and has made numerous television and radio appearances.</p>
]]></content:encoded>
			<wfw:commentRss>http://verbatimlectures.com/liebert/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Elizabeth Royte</title>
		<link>http://verbatimlectures.com/royte/</link>
		<comments>http://verbatimlectures.com/royte/#comments</comments>
		<pubDate>Wed, 17 Dec 2008 00:11:35 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Authors]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Speakers]]></category>
		<category><![CDATA[Campus Life]]></category>
		<category><![CDATA[Community Read]]></category>
		<category><![CDATA[Environment/Energy]]></category>
		<category><![CDATA[First Year Experience]]></category>
		<category><![CDATA[Sustainability]]></category>
		<category><![CDATA[Water]]></category>

		<guid isPermaLink="false">http://verbatimlectures.com/wordpress/?p=295</guid>
		<description><![CDATA[Author of the acclaimed <i>Garbage Land: On the Secret Trail of Trash</i>, Royte addresses the staggering impact of waste and consumption on the environment and the economy.  In <i>Bottlemania</i>, she looks beyond the ecological ramifications of the bottled water phenomenon, to the tenuous state of our public water supplies.]]></description>
			<content:encoded><![CDATA[<p>An award-winning writer on waste and water, Royte gets to the heart &#8212; always in an entertaining manner &#8212; of some of the more troubling issues facing our increasingly consumptive global society.</p>
<p>Royte shows readers and audiences how we can all make a difference by understanding and acknowledging both the upstream and downstream impacts of our consumption, and then taking steps to shrink our environmental footprints — as individuals, community members, and voters.  As we continue to exploit the planet’s precious natural resources, Royte cautions that positive, regenerative change can only be possible if we honestly reassess our relationships with waste, water and our own daily routines.</p>
<h3>Program Descriptions</h3>
<h4><em>Bottlemania: </em><em>Big Business, Local Springs and the Battle over America’s Drinking Water</em></h4>
<p>In <em>Bottlemania &#8212; </em>one of <em>Entertainment Weekly, Plenty, Seed and Time Out Chicago’s </em>Top Nonfiction Books of 2008 &#8212; Elizabeth Royte ventures to Fryeburg, Maine, a source of Poland Spring water, to explore the roots of our fascination with bottled water and to examine its modern-day frictions, now threatening to spill over into cultural warfare.</p>
<p>Moving beyond the environmental and social consequences of making, filling, transporting and landfilling those billions of bottles, Royte parses the quality of both bottled and tap water (you may be surprised at what she found). And while more than 90 U.S. colleges have restricted or banned bottled-water sales, Royte favors a more holistic, education-based approach that has the promise to ripple far more widely through communities seeking sustainability.</p>
<p>Ultimately, Royte’s lecture makes a case for better protection of public water supplies, for improving our water infrastructure, and&#8211;in a world that’s hotter, more crowded and more polluted&#8211;for better allocating and sharing the precious freshwater that remains.</p>
<h4><em>Garbage Land: On the Secret Trail of Trash</em></h4>
<p>Out of sight, out of mind…</p>
<p>Into our trash cans go dead batteries, dirty diapers, bygone burritos, broken toys, tattered socks, eight-track cassettes, scratched CDs, banana peels &#8230; But where do these things go next? In a country that consumes and then casts off more and more, what actually happens to the things we throw away?</p>
<p>In <em>Garbage Land</em>, one of <em>The</em> <em> New York Times</em> Notable Books of the Year for 2005, acclaimed science writer Elizabeth Royte leads us on the wild adventure that begins once our trash hits the bottom of the can. Along the way, we meet an odor chemist who explains why trash smells so bad; garbage fairies and recycling gurus; neighbors of massive waste dumps; CEOs making fortunes by encouraging waste or encouraging recycling&#8211;often both at the same time; scientists trying to revive our most polluted places; fertilizer fanatics and adventurers who kayak among sewage; paper people, steel people, aluminum people, plastic people, and even a guy who swears by recycling human waste.</p>
<p>Royte takes us on a bizarre cultural tour through slime, stench, and heat-in other words, through the back end of our ever-more supersized lifestyles. By showing us what really happens to the things we&#8217;ve &#8220;disposed of,&#8221; Royte reminds us that our decisions about consumption and waste have a very real impact-and that unless we undertake radical change, the garbage we create will always be with us: in the air we breathe, the water we drink, and the food we consume.</p>
<h3>Bio</h3>
<p>Elizabeth Royte&#8217;s writing on science and the environment has appeared in <em>Harper&#8217;s</em>, <em> The New Yorker, National Geographic</em>, <em>Outside</em>, <em>The New York Times Magazine</em>, and other national publications.  A former Alicia Patterson Foundation fellow and recipient of Bard College&#8217;s John Dewey Award for Distinguished Public Service, Royte is a frequent contributor to the <em>New York Times Book Review</em>, a contributing editor for <em>OnEarth</em>, where she writes the blog <a href="http://www.onearth.org/theroytestuff">The Royte Stuff</a>.  A correspondent for <em>Outside</em> magazine, and a contributing editor for the Food and Environment Reporting Network.  (<a href="http://www.thefern.org">www.thefern.org</a>), her work is also included in <a href="http://www.amazon.com/exec/obidos/ASIN/0060726407/booknoisenet-20" target="_blank"><span style="text-decoration: underline;">The Best American Science Writing 2004</span></a> and <a href="http://www.amazon.com/Best-American-Science-Writing-2009/dp/0061431664">2009</a>.  Royte&#8217;s first book, <a href="http://www.tapirsmorningbath.com/" target="_blank"><span style="text-decoration: underline;">The Tapir&#8217;s Morning Bath: Solving the Mysteries of the Tropical Rain Forest</span></a>, was a <em>New York Times</em> Notable Book of the Year for 2001.</p>
]]></content:encoded>
			<wfw:commentRss>http://verbatimlectures.com/royte/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>

